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REVIEW ARTICLE

The role of traditional handcrafting in promoting sustainability: A literature review

Venetia Koutsou1 ,  Maria Zoumaki1* ,  Iris Lykourioti2 ,  Apostolos Korlos3
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1 Department of Creative Design and Clothing, Faculty of School of Design Sciences, International University of Thessaloniki, Thessaloniki, Macedonia, Greece
2 Department of Architecture, Faculty of Polytechnic School of the University of Thessaly, University of Thessaly, Volos, Thessaly, Greece
3 Department of Industrial Engineering and Management, Faculty of School of Engineering, International University of Thessaloniki, Thessaloniki, Macedonia, Greece
DP, 025190027 https://doi.org/10.36922/DP025190027
Received: 3 October 2024 | Revised: 23 April 2025 | Accepted: 11 June 2025 | Published online: 23 July 2025
© 2025 by the Author(s). This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution -Noncommercial 4.0 International License (CC-by the license) ( https://creativecommons.org/licenses/by-nc/4.0/ )
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Abstract

The fashion industry is one of the largest and fastest-growing sectors of the global economy, with significant social and environmental impacts. However, the prevailing fast-fashion model leads to overconsumption and serious consequences for both the environment and industry workers. In response to this trend, the slow fashion movement has emerged, promoting a more conscious and sustainable approach to clothing production and consumption. This movement involves a variety of practices, including traditional techniques – such as weaving, embroidery, knitting, felting, and dyeing with natural dyes. In this study, a systematic literature review was conducted to explore how traditional techniques are incorporated into contemporary fashion design and production, and whether these techniques truly support local communities. The findings reveal that traditional techniques are linked to sustainability in the fashion industry; however, they require a significant investment of time compared to fast-fashion cycles, resulting in higher production costs. Thus, despite their promising potential, these techniques contradict the prevailing economic model of development followed in the fashion industry. Ultimately, this study highlights the important role of traditional techniques in promoting sustainability and advocates for integrating these practices in the fashion industry through an alternative economic model.

Keywords
We-economy
Anthropogeography
Clothing handcrafting
Slow fashion
Local communities
Funding
None.
Conflict of interest
The authors declare that they have no competing interests.
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